Portfolio

Rooms, records, residencies.

A walk through the studios and sessions that shaped the sound. One experience at a time.

Gdańsk, Poland

N29 Studio

Resident engineer & member

N29 is my home base — the main local studio in Gdańsk where I hold a permanent membership and run the majority of my sessions. It's a space built by and for the underground: raw brick walls, deep low-end treatment, and a rotating cast of producers, MCs and electronic acts moving through at all hours.

Being part of N29 means more than access to the room — it means being embedded in the city's scene. I track vocals, mix records, cut beats and mentor younger producers here, often on the same day. The studio's identity — moody, red-lit, honest — shapes the sound of everything that leaves it.

Tenerife, Canary Islands

Santa Cruz Studio

Guest session — recording & mixing

A session spent inside a friend's studio in Santa Cruz de Tenerife — a compact, well-tuned room with warm acoustics and a focus on getting ideas down fast. Days blurred into nights tracking vocals, building beats and mixing on the fly while the island heat lingered outside.

Working away from home always sharpens your ears. You adapt to a new room, new monitors, new workflows. In Tenerife it reminded me that great records don't need the biggest budget — they need a focused room, trusted ears, and people who care about the song as much as you do.

Monmouth, Wales

Rockfield Studios

Group session — recording & mixing

A visit to Rockfield Studios courtesy of Abbey Road Institute — a pilgrimage to one of the most storied residential studios in the world. Walking into a room where Queen, Oasis, Black Sabbath and countless others cut records that shaped generations is a humbling reset on what a studio can be.

We ran a group recording and mixing session over the visit: tracking a live band around the vintage console, then moving into the mix with the room's classic outboard. Hands on faders that have printed history, learning how a legendary space actually behaves — the kind of experience that recalibrates your ear and your standards for every session that comes after.

Amsterdam, Netherlands

Martin Garrix STMPD Recording Studios

Guided visit — recording & Dolby Atmos

A guided visit through STMPD RCRDS — Martin Garrix's flagship studio complex in Amsterdam — with an inside look at how one of the busiest hit factories in dance music actually runs day to day. Beyond the rooms themselves, the visit was a window into the Dutch music industry: label operations, publishing, artist development and the pipeline that turns a session into a global release.

We toured the recording rooms and the Dolby Atmos mixing suite, walking through workflow, monitoring and delivery for immersive formats. Seeing world-class Neve and Atmos setups side by side, run by engineers working at that level every day, sharpened my perspective on where the craft is heading and how to bring those standards back into my own sessions.

London, United Kingdom

Abbey Road Studio 1

Deep-dive session — recording consoles

Abbey Road Studio 1 is where most of what I know about recording consoles comes from. Standing in front of those historic desks, seeing the signal flow explained in the room where so many defining records were made, connected years of reading and practice to the real thing.

The session focused on the architecture of classic consoles: gain staging, EQ design, routing, and how every section of the desk serves a creative decision. Hearing engineers who maintain these machines talk about their quirks and character made the technology feel less like a spec sheet and more like an instrument. It's a foundation I return to every time I sit down to mix.

London, United Kingdom

Abbey Road Studio 3

Personal session — shaping my own sound

Abbey Road Studio 3 is where I started translating everything I'd learned into something that actually sounded like me. A more intimate room than Studio 1, it gave me space to experiment without the weight of history pressing down — to make choices based on instinct rather than reverence.

Over the session I worked through my own material, testing how far I could push the room's treatment and monitoring before my own sonic identity showed up clearly. Shaping my own sound in a room that has shaped so many others was a mirror moment: hearing the influence, then deliberately stepping past it. The result is a foundation I still reference when I want a mix to feel personal rather than polished.